App Store

Google Play

SE - Details page - Device banner - 894x1036

Kliv in i en oändlig värld av stories

Lyssna när som helst, var som helst

William Shakespeare

The Tempest is a play by English playwright William Shakespeare, probably written in 1610-1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.
Although The Tempest is listed in the First Folio as the first of Shakespeare's comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare's late plays. The Tempest has been put to varied interpretations, from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero's renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.

Susan Bones

Zacharias Prewett

Parolita Libro

Shakespearean Comedy

The Tempest

Two close friends, Proteus and Valentine, are saying their goodbyes in the streets of Verona. Valentine plans to travel to Milan and discover the world, but Proteus wants to stay with Julia, a woman he loves. While in Milan, Valentine falls in love with the duke's daughter, Sylvia, and plans to elope with her. Antonio, Proteus' father, later orders his son to join Valentine in Milan. Before leaving, Proteus exchanges rings and vows of undying love with Julia. When Proteus enters the aristocratic courts of Milan, he instantly falls in love with Sylia and forgets all about Julia. The love triangle between Sylvia, Proteus, and Valentine will test the loyalty of friendship.

The Two Gentlemen of Verona

First published in 1602 by William Shakespeare, The Merry Wives of Windsor features the popular figure Sir John Falstaff, who first appeared in Henry IV, Part 1 and Part 2. Some speculate that Merry Wives was written at the behest of Queen Elizabeth I, who wanted to see Falstaff in love; and that Shakespeare was forced to rush its creation as a result, and so it remains one of Shakespeare's lesser-regarded plays.
The play revolves around two intertwined plots: the adventures of the rogue Falstaff who plans to seduce several local wives, and the story of young Anne Page who is being wooed by prominent citizens while she has her sights set on young Fenton. The wives come together to teach Falstaff a lesson, and in the end love triumphs.
The Merry Wives of Windsor is believed to have been first performed in 1597 and was subsequently published in quarto in 1602, in a second quarto in 1619, and then in the 1623 First Folio. Despite holding a lesser place in Shakespeare's canon, it was one of the first Shakespearean plays to be performed in 1660, after the reinstatement of Charles II and theatre once again was permitted to be performed in London.

The Merry Wives of Windsor

Duke Vincentio has given his deputy Angelo temporary power over Vienna before his leave for a diplomatic mission. But instead of leaving the city, the Duke disguises himself as a friar named Lodowick, and stays behind to observe the city's happenings and Angelo's brief reign.
Meanwhile, Angelo decides to enforce the laws on prostitution and debauchery, effectively shutting down the red-light district. A man named Claudio gets arrested for impregnating his lover, and Angelo sentences him to death. Claudio's sister enlists a certain friar's help to trick Angelo into releasing her brother.

Measure for Measure

The Comedy of Errors is one of Shakespeare's earliest and shortest plays. This comedy utilizes slapstick humor, word play, and mistaken identities to create a series of farcical accidents. Over time, the play's title has become an idiom used to describe "an event or series of events made ridiculous by the number of errors that were made throughout."
In Ephesus, the law forbids entry to any merchants from Syracuse, and if they are discovered within the city, they must pay a thousand marks or be put to death. Aegeon, an old Syracusian merchant, is arrested and Solinus, the Duke of Ephesus, listens to his story of coming to the city. Long ago, Aegeon was on a sea voyage. Traveling with him was his wife, his twin sons, and their twin slaves. The family becomes separated during a tempest; Aegeon, one son, and one slave were rescued together, and the others were never to be seen again. Years later his son Antipholus and his slave Dromio left to search for their long lost siblings; after the boys didn't return, Aegeon set out to bring his son back home. Moved by this story, the duke allows Aegeon one day to get the money to pay his fine and to find his family.

The Comedy of Errors

Shakespeare wrote Much Ado About Nothing towards the middle of his career, sometime between 1598 and 1599. It was first published in quarto in 1600 and later collected into Mr. William Shakespeare's Comedies, Histories, and Tragedies in 1623. The earliest recorded performance of Much Ado About Nothing was performed for the newly-married Princess Elizabeth and Frederick the Fifth, Elector Palatine in 1613.
Shakespeare's sources of inspiration for this play can be found in Italian culture and popular texts published in the sixteenth century. Gossip involving lovers deceived into believing each other false was often spread throughout Northern Italy. Works like Ludovico Ariosto's Orlando Furioso and Edmund Spencer's Fearie Queene also feature tricked lovers like Claudio and Hero. Besides these similarities, the idea of tricking a couple like Benedick and Beatrice into falling in love was an original and unusual idea at the time.
The play focuses on two couples: upon the noblemen's return to Messina, Claudio and Hero quickly fall in love and wish to marry in a week; on the contrary, Benedick and Beatrice resume their verbal war, exchanging insults with each other. To pass the time prior to the marriage a plot to trick Benedick and Beatrice into falling in love has been set in motion. Unbeknownst to both our couples, a fouler plot to crush the love and happiness between Hero and Claudio has also begun to unfold.